KINETICS

Moving Wires, a Reconciliation of Art Alexander Calder, renowned for drawing with wire, showcased a diverse array of works, including wood sculptures, mobiles, stabiles, paintings, and jewelry. By infusing movement into static works, Calder liberated his creations from one-dimensional abstraction, referring to them as "three-dimensional line drawings." His artistic intuition was deeply influenced by his parents, both artists, and his degree in mechanical engineering. A pivotal moment in Calder's artistic journey was visiting the studio of abstract artist Piet Mondrian. Calder suggested to Mondrian that making the rectangles in his work move might be interesting. However, Mondrian replied that it was unnecessary as his paintings were already very dynamic. This anecdote highlights Calder's fascination with the natural effects of kinetic Through this project, I aimed to reconcile the artistic dialogue between Calder and Mondrian within my photographic work. By merging Calder's dynamic sculptures with Mondrian's static yet vibrant paintings, I sought to recreate the unique harmony between the two artists. This endeavor explores new possibilities beyond traditional artistic boundaries, offering a contemporary reinterpretation of their legacy.

Frames of Freedom

This artwork is inspired by Alexander Calder’s dynamism and spontaneity. Structurally similar to Mondrian’s squares, this piece uses the traditional frame of art and the modern frame of a TV monitor to contrast the fluidity and randomness of nature.

These frames symbolize social constraints, encompassing institutional, regulatory, legal, and cognitive limitations. These constraints sharply contrast with the natural and free movements captured within the artwork. Flowing lines and liberated forms transcending these fixed boundaries visually depict a narrative of freedom surpassing limitations.

In this series, natural and spontaneous movements ignore and transcend these imposed frames. This subtly suggests to the audience to reflect on and challenge all forms of limitations, including institutional, regulatory, and cognitive constraints.

By integrating spontaneity and randomness into the artwork, it seeks the true beauty of the unplanned and uncontrolled, sparking a conversation about the necessity of embracing flexibility and unpredictability within the structured domains of our existence.

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